What’s Not Said – Using Subtext in DialogueThe deadliest words in fiction aren’t shouted. They’re whispered, avoided, or never spoken at all.
We’ve all written dialogue that just… sits there. Characters talk, information gets shared, but the scene feels flat. The problem isn’t what your characters are saying. It’s what they’re not saying. That’s subtext. It’s the hidden current under the surface of your dialogue. And it’s one of the best tools you have for creating tension that keeps your audience glued to the page. Think about your own life. How often do you say exactly what you mean? Almost never. You hedge. You deflect. You dodge the uncomfortable truth. Fiction is no different. Realistic conversations live in that messy gap between words and feelings. Why Subtext WorksHumans are wired to notice contradictions. When someone says “I’m fine” but their hands tremble, you know something’s wrong. That disconnect creates unease—and unease is tension. It also gives your audience a job. Instead of spoon-feeding the truth, you let them piece it together. They feel clever for figuring it out. That sense of discovery is addictive. Why Writers Need SubtextIf your story feels flat, your dialogue too blunt, or your plot like it’s dragging, subtext is the missing gear. Writers often fall into “on-the-nose” dialogue that explains too much. But tension thrives in restraint. Adding subtext solves several common pain points:
A Practical TipThe next time you write dialogue, ask: What does this character want to say but won’t? Then make sure their body language, silence, or deflection carries that truth. Even better, write a scene where two characters argue about something small—like chores or dinner—but layer in subtext about something bigger. The surface fight is the cover. The real battle is hidden. That’s when your scene comes alive. Want to go deeper?​Read the full article here for techniques and examples of using subtext in dialogue. ​ Previous Knowledge Thread from X:
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