​ Plot Spine Diagnosis: Cut the Fluff, Keep the HeartYour Story Has a Spine. Is It Broken?Every story has a backbone—the major plot beats that carry everything else. But when you’re knee-deep in rewrites or staring at a bloated middle, it’s hard to tell which scenes matter... and which are just filler dressed in clever dialogue. This is where plot spine diagnosis saves your draft. How to Find the Core of Your PlotA clean narrative usually hits these four essential beats:
If a beat doesn't lead to, strengthen, or react to one of those four—you probably don’t need it. The D.I.M.E. Test for Every SceneHere's a quick diagnostic:
Every scene must either push the plot forward, reveal character, or raise stakes. If it’s not doing at least two of those, it’s dragging your story down. Don’t Just Cut—RestructureSome scenes aren’t bad—they’re just in the wrong place. Sometimes what feels like fluff becomes essential when it shows up earlier, later, or from another POV. Editing isn’t always subtraction. It’s reshaping. A Quick Test for Boring BeatsAsk yourself:
The answers will tell you what’s actually working. And if you're still not sure? Just blue-pencil it. Keep a copy. You can always bring it back if it turns out to be the missing puzzle piece. ​ That's all for now. Thanks for being a subscriber! – Kevin from StoryFlint ​ Check out these Recommended Creators:​ ​ |
StoryFlint is here to give you story templates and guides to plan your plot, characters, and world—so you can stop second-guessing and start writing. 👉 Articles, guides, Notion templates, and curated tools/resources for storytellers.
The Midpoint Mirror Framework Your climax isn’t the problem. Your midpoint is. Quick Poll: Would you be interested in a library of different frameworks to help you build suspense for a scene? Yes No Most writers treat the midpoint like filler. A plot twist, a breather, maybe a bathroom break before Act Three. But the midpoint isn’t a throwaway beat. It’s the hinge your whole story swings on. When the midpoint works, the climax clicks. When it doesn’t, your ending feels random, disconnected,...
What’s Not Said – Using Subtext in Dialogue The deadliest words in fiction aren’t shouted. They’re whispered, avoided, or never spoken at all. Quick Poll: Which of these Notion workbooks would you be interested using the most? Hero's Journey Workbook Horror Story Workbook Romance Story Workbook Action/Adventure Story Workbook Heist Story Workbook Fantasy World Building Workbook We’ve all written dialogue that just… sits there. Characters talk, information gets shared, but the scene feels...
The Climactic Moment: One Choice That Ends Your Story Your finale isn’t about fireworks. It’s about one brave choice. We all know the climax—the big sequence near the end where everything collides. Battles rage, secrets spill, tensions spike. That’s fun. But the audience doesn’t actually care about the spectacle. They care about the climactic moment. The climactic moment is smaller and sharper. It’s the precise beat where the central conflict ends. If the climax is the entire boss fight, the...